Antonio Pollaiuolo

1431-1498 Italian Antonio Pollaiuolo Galleries Sculptor, painter, designer and engraver. He was trained as a goldsmith and bronze sculptor, probably in Lorenzo Ghiberti workshop. In 1466 he joined the Arte della Seta, the silkworkers guild (to which goldsmiths traditionally belonged), and he listed himself as a goldsmith and painter in the membership records of the Compagnia di S Luca in 1473; this is the only documented reference to him as a painter. In his tax return in 1480 he reported that he was renting a workshop specifically for goldsmiths work. He still described himself as a goldsmith, and not as a painter, in his last tax return in 1496.


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Antonio Pollaiuolo Portrait of a Young Woman 02 oil


Portrait of a Young Woman 02
Painting ID::  1585
Portrait of a Young Woman 02
1475 Galleria degli Uffizi, Florence
1475_Galleria_degli_Uffizi,_Florence
   
   
     

Antonio Pollaiuolo Hercules and the Hydra oil


Hercules and the Hydra
Painting ID::  1587
Hercules and the Hydra

   
   
     

Antonio Pollaiuolo Apollo and Daphne oil


Apollo and Daphne
Painting ID::  1588
Apollo and Daphne
c1470 National Gallery, London
c1470_National_Gallery,_London
   
   
     

Antonio Pollaiuolo Hercules and Antaeus oil


Hercules and Antaeus
Painting ID::  1589
Hercules and Antaeus
1460 Galleria degli Uffizi, Florence
1460_Galleria_degli_Uffizi,_Florence
   
   
     

Antonio Pollaiuolo Tobias and the Angel oil


Tobias and the Angel
Painting ID::  1590
Tobias and the Angel
1460 Galleria Sabuda, Turin
1460_Galleria_Sabuda,_Turin
   
   
     

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     Antonio Pollaiuolo
     1431-1498 Italian Antonio Pollaiuolo Galleries Sculptor, painter, designer and engraver. He was trained as a goldsmith and bronze sculptor, probably in Lorenzo Ghiberti workshop. In 1466 he joined the Arte della Seta, the silkworkers guild (to which goldsmiths traditionally belonged), and he listed himself as a goldsmith and painter in the membership records of the Compagnia di S Luca in 1473; this is the only documented reference to him as a painter. In his tax return in 1480 he reported that he was renting a workshop specifically for goldsmiths work. He still described himself as a goldsmith, and not as a painter, in his last tax return in 1496.

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